Victor Boucher

@vbchr

Best of the week 18 at #nomadict 2021

My photography journey started a long time ago. When I was little, my parents offered me a small compact camera that I used a lot when we were on vacation. I remember one summer in the mountains, where I spent hours trying to photograph marmots and get the best picture possible!

This passion gradually intensified, and in 2018 I was offered my first SLR. It was a revelation, and I immediately wanted to learn how to use it well. My goal was to be able to take pictures as beautiful as those of the photographers I could see in magazines or on Instagram. At first, I tried almost every style of photography: landscape, portrait, urban, animals, concert, sports, and even sneakers! However, landscape photography always attracted me the most.

"It was the genre that I enjoyed most putting energy in, shooting and editing. This trend was confirmed when I was able to go to Iceland."

I was 16 years old and looking for an exchange trip abroad, my main goal was improving my English. I stumbled upon a youth volunteer work camp in Reykjavik with a photography theme. The objective of this camp was to enable young people coming from different countries to live together and collaborate, discover nature and the Icelandic culture and do some actions for the environment like cleaning a beach. Several excursions were planned; one of them would enable the youngsters to spot and take a picture of the famous puffin. Instantly, the goal of the trip became my own and I signed up. 

"During an outing with the group, we discovered the beautiful black sand beach of Vík."

I could take many pictures of the beach but what I wanted more than anything was to see and photograph the symbol of Iceland: the puffin. We then went to the end of the beach and climbed up a little to have a view of the beach. The weather was catastrophic, rain poured down in torrents, and it was very cold. So, it didn’t take long before the group took their pictures and started to go back to the van. But I wanted to stay a little longer to enjoy the view and take the last picture. Suddenly, a puffin landed about ten meters away from me. I took out my 75-300 lens that was in my bag immediately, and for two minutes, I didn’t stop taking pictures to be sure to have a perfect one! I took photos from all the possible angles. My mother told me before leaving that she wanted a picture of a puffin to hang in the living room, so I photographed the puffin with that in mind. The bird finally flew away, but two minutes had been enough to take a lot of pictures, unlike the members of the group who had not even seen this beautiful bird. 

At the time, I was just concentrating on the camera settings and on the focus setting that I had to switch to manual because of the rain. It’s when I looked at the photographs on my computer the same evening that I relaxed and happiness within me was released: the focus was not bad on most of them and the pictures were well exposed. My lens was kind of fogged up because of the cold as well, but miraculously, it stayed all clear and clean while capturing the puffin. 

At first, I told myself that I would edit all my pictures when I would get back home in France, but I was impatient and I edited my favorite pictures the same night! I tried several editing styles before arriving at the final version that I posted on my Instagram account. The edit is pretty standard compared to what I usually do, but I tried to be more neutral. I tend to go far when editing, even if it sometimes means losing the authenticity of the original landscape. For this one, I didn’t want to modify it too much because it’s very good as it is and also it reminds me of the vision I had at the very moment itself. You can see on the before/after shot that the pictures are quite similar. 

I use the Adobe Suite to edit my images and the software I use the most is Adobe Lightroom, but also Photoshop when necessary. For this picture I only used Lightroom. In general, the process contains several steps. I retouch my photo one time and I stop only when I get a result I like. If I feel convinced with the result after the first attempt, I put the photo aside and move on. If it’s not the case, I retouch the photo again sometime later and I compare it to the first edit. I repeat this as many times as it takes to get the result I like. Sometimes I make up to five versions for the same photo!

As I said, my usual editing style is different. When I am inspired I can push my edits very far and the result would be very different from the RAW photo. My images are often very light or very dark, and I could add many unnatural effects like directional blur or add/remove elements from a photo. I like to add haze to my images as well, as is the case in the winning shot as well. The mood of the initial photo and the one I create can be very distinct. Sometimes I don’t even know if it should be called photography or rather visual creation. It doesn’t matter to me, I do what I like and that’s what counts!

I decided to edit the photo of the puffin less and keep it natural because I felt it like that. It’s always important to follow your feelings in this sense, I believe. I was lucky enough to be able to take this picture and I am very proud of it. Since that day, I always tend to leave the last when visiting different spots with other people because I want to be sure to not miss anything, especially in wildlife photography. This trip to Iceland brought me a lot of encouragement and joy and my dream is to go back as soon as possible! 

Would you like content like this sent to your inbox?

Facebook
Twitter
LinkedIn
BEST OF THE WEEK FEBRUARY 2021
BEST OF THE WEEK JANUARY 2021
BEST OF THE WEEK DECEMBER 2020
BEST OF THE WEEK NOVEMBER 2020
BEST OF THE WEEK OCTOBER 2020
BEST OF THE WEEK SEPTEMBER 2020
BEST OF THE WEEK AUGUST 2020
BEST OF THE WEEK JULY 2020
BEST OF THE WEEK JUNE 2020
BEST OF THE WEEK MAY 2020
BEST OF THE WEEK APRIL 2020
BEST OF THE WEEK MARCH 2020
BEST OF THE WEEK FEBRUARY 2020
BEST OF THE WEEK JANUARY 2020
NOMADICT

ART GALLERY
THE LATEST STORIES

WRITEN WITH PASSION TO INSPIRE YOU
Nomadict+Yhabril@yhabril 00011

Yhabril (@yhabril): Best of the Week 33 at #nomadict

Spanish photographer Yhabril captures the profound connection between humans and the mountains that shaped him. Growing up in the Pyrenees, his work bridges outdoor sports, landscapes, and celestial scenes — often blending athletes, moonlight, and wilderness into striking visual stories.

04 Nomadict_Ariane Totzke

Ariane Totzke (@besondersschwierig): Photographer based in Switzerland

In this article, Ariane shares how photography helped her navigate personal challenges, connect authentically with people and animals, and develop a philosophy rooted in empathy and artistic freedom. Readers will also discover her ethical approach to wildlife photography and her trusted equipment for both camouflage techniques and cameras.

@dmnk.visuals - Nomadict cover

Cinematic city photography: An essential 6-step workflow

In this article, you’ll learn how to read and use light in your home city, choose the right technical settings for low-light scenes, and refine your editing workflow to shape color and atmosphere step by step. In addition, Dominik shares how to find fresh perspectives on familiar locations, five lessons that transformed his photography, and insights on the future of street photography.

Kyle van Bavel 8

Kyle van Bavel (@kylevanbavel): Photographer based in the Netherlands

Kyle van Bavel is a macro photographer with a distinctive, dreamy style that transforms the unseen details of nature into magical worlds. In this article, he shares how his unique vision, shaped by a journey of self-learning and overcoming dyslexia, has become his greatest creative strength.

Inês Preto, @minespreto, Best of the Week at #nomadict -9

Inês Preto (@minespreto): Best of the week 20 at #nomadict 2025

Inês is a nature photographer drawn to wild, remote places where weather, wildlife, and mood shape her storytelling. In this article, she shares the behind-the-scenes journey of capturing the Best of the Week image: a puffin trio on the Faroe Islands. She explains how she approached the edit of this image, and shares key lessons she’s learned through experience.