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David is an artist, photographer, and drummer from Switzerland. His passion for music and the Arctic North brought him closer to photography, and in his article, we get to know his background, creative vision, and most valuable experiences.
Music has accompanied me all my life and is now nicely intertwined with my photography. One way that music and photography are often related is through the concept of rhythm.
In photography, rhythm refers to the repetition of elements in an image, such as patterns, shapes, and lines. This repetition can create a sense of movement and flow, guiding the viewer through the image and creating a sense of unity and coherence. The repetition of shapes, patterns, and lines can help you create a rhythm, and the first two images presented below show you different variations where water plays a crucial role in telling a story in different ways.
Another way that music and photography are related is through the concept of harmony. In photography, harmony refers to the balance and proportion of elements in an image. So the placement of objects, the use of color, or the use of light and shadow. To create a sense of harmony, try using analogous colors. So colors that are next to each other on the color wheel. This series can give you a good insight.
Identity can be applied to both also. In this sense, I always followed my vision. It is a compliment when people know you took a photo by just looking at it. I think that music also influences my editing style. Since I am attracted to a certain melancholy in the music, this feeling is part of my images also.
In this sense, while editing, my favorite tool is the gradient filter which is now more powerful and allows me to direct the viewer through the image. I also do a lot with the HSL faders because they are so helpful in making specific colors stand out or make them less dominant. So these are two tools that can help you achieve harmony and rhythm in your work, and that will shape the identity of your work.
Movies with stunning cinematography got me started with photography and film in the first place. I was fascinated by the impressive effects. For example Hero with Jet Li and the horror flick The Ring, back in the days. At the same time, digital cameras at affordable prices started to appear so I got myself a Sony Cybershot, a camera that ran on AA batteries and could literally just take 10 photos before the batteries were drained. Growing up on the countryside of Switzerland I was surrounded by nature and went on little photography trips around the house every day. Also being part of the deviantART community, long before Facebook and Instagram, was a real source of inspiration. Fast forward a few years it was a trip with friends to Lofoten in 2016 that made me fall in love with the north.
My parents got me a drumset when I was six years old after destroying all sorts of my moms kitchen utensils… And I never stopped playing – it always fulfilled me and it never felt like ‘work’ when I had to practise. It were always the people around me, my parents, my old bandmates and my own inner demon that kept pushing me to try harder. Sometimes things move forward a little slower, but that’s okay as long as it moves into an onward direction. It’s an inner drive I’m really grateful for as working on the things I’m passionate about just doesn’t feel like work. I have a day job as an IT Professional, so music is some sort of my main sidegig and photography together with travelling is something that keeps my creative batteries charged.
When I travel I like to put together playlists that could be a fit to the landscapes I’m about to explore, it gives the trips somewhat a cinematic vibe. With one of my first bands I was touring extensively through Europe and besides my instruments, I always carried along my camera. For me that is awesome, having my most important ‘gadgets’ at hand, doing what I love in a new city. It is very inspiring to discover new places that way, finding an infinite amount of new subjects to photograph in each city and spreading your music with lots of people.
When I started photography there were very few sources available online that taught proper post production. I used Photoshop and just played around with the basic settings, but never quite got the hang of it or understood how people get these amazing edits already back in the early 2000s. Fast forward to 2015 my partner at that time was a Wedding Photographer, and quite a good one. She worked a lot with desaturation and always preached how “the whites should actually be white.” She had achieved a unique look through Lightroom which inspired me to start using Lightroom myself. I was advised to use VSCO presets as a baseline and to learn which looks are achieved through which settings. That helped me to get started.
I like these challenges; after going through several of them I feel now much more comfortable in terms of style and identity. I had a big “aha moment” when I first travelled to Iceland and witnessed these contrasts and colors. My previous editing style was rather following the trend of desaturation and soft blacks; this just didn’t do justice to these Icelandic landscapes. That was in 2017. I went for harsher contrasts ever since and kept on applying new Lightroom technics.
I always wanted to make sure to follow my own identity and content, even if in terms of IG algorithm it sometimes means less growth. Using a popular editing formula may generate great photos and a huge following, but it would also be hard to tell your work apart. I rather try out something new and develop a recognizable style over time. In the end, the most amazing compliment is when people know you took the photo just by analyzing it.
I taught them the basics to get started in Lightroom and we looked into different kinds of editing styles from portraits to landscapes. While going top-down through the Lightroom tools explaining them, I displayed a photo in its before and after state and as an exercise the group had to get to the after state on their own, which was fun. My personal favorite tool is the gradient filter – it became really powerful over the years and really helps to direct the eyes of the viewers. I also do a lot with the HSL faders because they’re so helpful making certain colors stand out or make them less dominant.
You know, sometimes you get caught up in your own little bubble and think you “got it”, but then you meet other people or find yourself in situations that make you realize there is still more that you don’t know than that you know. This can be confronting sometimes, but I’m always able to turn it into an inspiration boost. The first time I set foot on Iceland I didn’t know what surprised me most; if it were the colors, contrasts, shapes, landscapes… Never before had I seen such an outer worldly landscape. That time I also had the chance to explore Thorsmork valley with Benjamin Hardman for a day. He knows the ins and outs of Lightroom, which was a huge learning to me. Getting to know him was very special and I noticed how much we have in common.
There’s a certain kind of melancholy in the north which I can’t quite put into words. The light, weather and surroundings just add up to a kind of mood and atmosphere that I learned to love. When I think of my adventures in the north, the first thing that comes to my mind is how I got to meet wolves in the Arctic Norway, Bardu. It was winter and not a travel season when I went to explore northern Norway around the Senja region. Before going there I had read about a Polar Park where you can meet wolves in a controlled environment. I wrote an email and was accepted. In the end it was just me with two caretakers who went in. Usually they do these visits with a group of 8, but due to offseason I was alone. First I had to undergo a 15-minute training of the do’s and don’ts.
You bring in new scents and you are a very interesting subject to the wolves. To connect with them, you’ll have to go down on your knees and let them lick your mouth, it’s their way to get a glimpse of you and socialize – I was so nervous! The caretakers said “they can smell the adrenalin, but don’t worry they’re used to it…” Simply amazing – the wolves in Norway, and flying over Iceland with a small plane to capture the river patterns over the Highlands. I would say that these are my most impressive experiences.
While I enjoy roaming on my own, I really like to get social when I get back to a town in the evening or when travelling in groups. It’s interesting, the effect a group’s dynamics can have on you – it’s so insightful and you learn so much. Be it about life, travelling, photography or weird liquorice powdered almond snacks. There is always someone and something that challenges or changes your usual way of thinking and doing. There’s so much that we don’t know, traveling and interacting with a diverse group of people helps us to realize that, which in return allows us to adjust our worldview and simply.. be a better human being.
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