Richard started as a commercial photographer, but the experience of capturing landscapes became a source of healing and allowed him to reconnect with nature. During the pandemic, he embarked on a challenging motion timelapse project in the Mourne Mountains in Ireland, which taught skills like survival, patience, and adaptability. Richard emphasizes the importance of joy, light, composition, and filters in landscape photography, and in his article, we learn from his most valuable experiences.
I started my photography journey more than 20 years ago when my cousin gave me an old Pentax film camera. Back then, I worked at a marketing agency and I loved looking through catalogs of stock photographs. This was way before everything moved online and before digital photography became popular. From that point on, I started taking pictures of everything I could find.
I’ve been lucky to work as a full-time commercial photographer for 14 years. Before that, I co-founded a digital design agency, and it was during the 6 years I ran that company that my love for photography took off. I started capturing images for commercial clients, but since I was involved in all aspects of the business, I soon realized that photography wasn’t receiving the attention it deserved.
When I was 36, amid the global financial crisis and recession, I made a bold decision. I couldn’t bear the thought of regretting not trying something on my own, so in 2009, I took the leap and started my own business. Looking back, I must admit that I learned as I went along. It was a sink-or-swim situation, but I quickly learned how to swim.
Nowadays, my business website showcases a diverse range of my work, including photography, film, aerial shots, and landscapes.
Although I had already made a name for myself in commercial and advertising photography, my interest in landscapes developed much later. Over the years, I had the opportunity to travel to amazing places like Nepal, Vietnam, and Peru, where I primarily focused on capturing people and street scenes. While I did take some landscape shots, I wasn’t actively seeking out specific lighting conditions or chasing sunrises and sunsets.
In 2016, I went through an incredibly tough phase in my life and found it difficult to carry on. Dealing with depression is a terrible experience that consumes you entirely, and even today, I continue to battle with many personal challenges.
Then in 2017, I met my girlfriend from Kyrgyzstan, and it had a profound impact on my life and perspective. In those early days, she shared a dream with me where she rescued me from the edge of a cliff, and that dream turned out to be a metaphorical truth. It wasn’t until 2018, when I planned my first trip to Kyrgyzstan, that I decided to take landscape photography more seriously. I invested in filters and gear to enhance my skills in capturing landscapes.
During my visits to Kyrgyzstan in 2018 and 2019, I felt a deep reconnection with the Earth, a planet I had once contemplated leaving behind. It was an opportunity to immerse myself in the true beauty of nature, where towering mountains surrounded me from every direction. This experience made me feel insignificantly small in a positive way and put my problems into perspective. Landscape photography became my salvation. It made me stand tall, facing the world directly, and rediscovering the extraordinary beauty of our planet. Instead of looking down, I found myself gazing upward, studying clouds and light. It became an incredible source of healing for me.
During the Covid pandemic, when my commercial photography work came to a halt, I decided to dedicate myself more to capturing the beauty of the landscapes in Ireland, particularly in my local area. To add more purpose to my days in uncertain times, I set myself the challenge of embarking on a long-term motion timelapse project in the stunning Mourne Mountains in Northern Ireland.
Undertaking this project was no small feat. Carrying around 20kg of photography and timelapse equipment at a time, I ventured to peaks reaching 600-700m. I made approximately 150 trips to the mountains, 50 of them involved wild camps, even braving the harsh winter conditions. Before this, I wasn’t particularly outdoorsy, and my friends and family were surprised by my unwavering dedication. I have a tendency to become easily absorbed in my pursuits, and when I commit to something, I strive for perfection.
Looking back, it was a challenging yet rewarding year. Sometimes, I couldn’t help but wish I had embarked on a ground-level timelapse project instead of choosing the mountains. In moments of frustration, I even found myself venting my frustrations at the mountains. Nonetheless, amidst the backdrop of a year dominated by the term “self-isolation” due to Covid, this project became my ultimate form of isolation—a journey of learning to be perfectly alone.
After enduring a few challenging years on a personal level, I discovered a profound sense of tranquility in the mountains. I spent countless hours patiently awaiting the completion of timelapses, immersing myself in the surrounding world. Through this experience, I acquired the invaluable virtues of patience and resilience, understanding how they intertwine in the pursuit of perfection.
If you’re interested, you can watch the full 6-minute ‘Mourne’ film in 4K resolution by clicking here:
First and foremost, I learned the art of survival in harsh conditions that I willingly subjected myself to. From acquiring the right gear, from tent to clothing, lens warmers to gloves, I developed the necessary skills to thrive. This preparation paid off during subsequent trips to Iceland and Senja in the Arctic Circle, where I felt at ease in temperatures as low as -20 degrees Celsius. Feeling secure and warm is crucial for making sound decisions in the field, and my year spent capturing timelapses played a significant role in achieving that.
Furthermore, the project instilled in me the virtue of patience, which is paramount in landscape photography. It requires an unwavering dedication to capture the desired shot. I embarked on multiple trips and revisited locations in pursuit of the perfect lighting and envisioned composition. The mantra “If at first, you don’t succeed, try and try again” became my guiding principle. There was even a mountain I summited six times without ever witnessing a clear view from its peak. That particular summit remained undefeated.
Regarding timelapse photography itself, I acquired a wealth of knowledge. I learned about the optimal shutter speeds to achieve cinematic movement, although strong winds often posed challenges in maintaining the desired effect. Oftentimes, high-level clouds and fast-moving clouds would sweep through the valleys simultaneously, requiring me to adapt and determine the appropriate shutter duration on the spot. Despite relying on weather apps, the mountains possess their unpredictable nature, teaching me the importance of flexibility and adaptability.
These lessons have become instrumental in my photography journey, equipping me with the skills, patience, and adaptability needed to overcome obstacles and capture breathtaking moments in nature.
Kyrgyzstan holds a special place in my heart as well. Throughout three visits, I have had the privilege of capturing the essence of this remarkable country. This August, I will be leading a photography tour there, eager to share the magic with others.
In a world saturated with images from the usual destinations like Iceland, Lofoten, and the Dolomites, Kyrgyzstan remains a hidden gem in terms of tourism. When I first set foot there in 2018, the country felt like a blank canvas, untouched by the masses.
The sheer beauty of Kyrgyzstan is simply mind-blowing. With 90% of its terrain dominated by mountains, it has earned the moniker “the Patagonia of Central Asia.” During my explorations, I encountered awe-inspiring locations, such as the turquoise mountain lakes of Ala-Kul and Kel-Suu. These remote areas evoke a sense of venturing into uncharted territory, where the thrill of adventure and the joy of discovery come together harmoniously.
Even in the most remote corners of Kyrgyzstan, you’ll come across scattered yurts dotting the landscape. These temporary homes belong to the nomadic people who migrate during the summer months, seeking greener pastures for their livestock. The hospitality of the Kyrgyz people is truly remarkable, as it is customary for them to invite you into their humble abodes to share a meal and offer you Kumis, a traditional fermented horse milk. These encounters provide not only incredible opportunities for photography but also captivating stories to cherish.
What made these trips truly worthwhile was the sense of capturing something truly unique. It is a country where it’s possible to ascend mountains that had never been visited before, adding to the exhilaration of the experience. The constant presence of towering mountains overhead evokes a pure sense of awe that is truly mesmerizing.
For more information about my photography tour to Kyrgyzstan, please visit www.richardwatsonphoto.com/kyrgyzstantour. The dates for 2024 have just been released as well, providing an exciting opportunity to embark on this extraordinary adventure.
Ireland holds a cherished place in my heart as well, and within this captivating land, I have captured timeless photographs that continue to enthrall me to this day.
Among my collection, there is one particular image (‘A Sunset Kiss’) that holds a special significance. It portrays the magnificent Dún Briste sea stack in County Mayo, Ireland. The location itself is awe-inspiring, leaving one in utter amazement. Standing within the cave, you become acutely aware of your vulnerability to the might of the Atlantic Ocean. It’s a sensation that evokes both exhilaration and a touch of fear, perfectly balancing the delicate edge between the two.
I had envisioned capturing a shot where the fading rays of the setting sun delicately kissed the interior of the cave, creating a surreal and enchanting ambiance. However, I soon realized that this location was fraught with danger. To access the cave, one had to navigate treacherous coastal cliffs, and once inside, the tide could swiftly change or the wind could pick up. There was a hidden point around the corner from the cave, unseen but crucial, where crossing became impossible if the tide rushed in. After a harrowing initial reconnaissance mission, where I was unexpectedly struck by a wave near the cave’s entrance and nearly pulled into the sea, I understood the need for thorough research.
Through conversations with fellow photographers and extensive online research, coupled with the use of weather and planning applications, I discovered that specific conditions had to align for this shot to materialize. It had to be a spring tide, coinciding with the new or full moon, during low tide, and accompanied by serene weather conditions. Thus, for several months, I meticulously studied my planning and weather apps, hoping for the convergence of these variables with the magical golden hour light. Considering all these factors and then relying on the rare occurrence of a favorable sunset, which is not common in Ireland, the odds were undeniably challenging.
Finally, on a day when I was photographing another breathtaking location three hours away to the south, I noticed that everything was aligning perfectly. Seizing the opportunity, I hastily jumped into my campervan and made a dash to the cave.
The resulting image is a composite, blending the foreground and sky elements. During the process, I relied on various apps to assist me, including Tides Near Me, PhotoPills, Sun Seeker, Moon Phase, Windy, and Yr, each playing a crucial role in planning and executing this intricate shot.
The Aurora bow at Vestrahorn in Iceland holds a special place among my favorite images. For years, I had been telling myself that this would be the year I finally witness the captivating Aurora. It had become an annual yet unfulfilled New Year’s Resolution until I finally turned it into a reality. Over the years, I had seen countless breathtaking photographs and mesmerizing timelapses of the Aurora, but nothing could prepare me for that first moment when I witnessed its ethereal dance overhead.
During my visit to Iceland last October, the night at Eystrahorn left me utterly speechless. After photographing the sunset and the serene blue hour by the sea, I positioned myself by a tranquil pond, hoping to capture reflective shots and, with a stroke of luck, a glimpse of the Aurora.
To my disbelief, the Aurora bow began to materialize directly above me.
Initially, it hung too high in the sky to be captured in a single frame, and I fervently wished for it to gracefully arch over the majestic mountainscape. And, miraculously, it began descending into place. It was a moment where it felt as if I had somehow commanded the weather with the power of my mind 🙂
The experience was nothing short of a once-in-a-lifetime encounter. Fortunately, I had equipped myself with the Sony 12-24 F2.8GM lens, allowing me to perfectly capture the awe-inspiring scene.
To me, the key ingredient in capturing a great photograph is not solely focused on the result. It’s about finding joy in the entire process. Otherwise, it can be disheartening. The pleasure lies in enjoying each step along the way. In the pursuit of capturing a stunning landscape, it’s the chase itself that should be rewarding, surpassing the significance of the actual light. Residing in Ireland, where we experience all four seasons in a single day, I take immense delight in standing resilient against the elements. Testing the limits of my outdoor gear, I embrace the feeling of being in a captivating battle. Even with meticulous planning, landscape photography often brings disappointments. However, my secret lies in savoring the experience of being out there time and time again, repeating my visits. It’s through this enduring dedication that great images, along with a touch of luck, eventually manifest.
Undeniably, light plays an integral role in creating a remarkable photograph. It adds depth, dimension, and beauty to the landscape. Whether it’s the warm, golden hues of the golden hour casting deep shadows or the soft, subtle light of the blue hour, I always keep the quality of light at the forefront of my mind.
A photograph should always strive to tell a story, and composition plays a vital role in guiding the viewer’s eye through the frame toward the main focal point. This principle has been ingrained in my commercial work and seamlessly translates to my landscape photography endeavors as well.
There is a certain magic that unfolds when an ordinary scene undergoes a remarkable transformation with the aid of filters. While I primarily believe in capturing the perfect shot directly on the camera, there are instances where certain scenes demand the use of filters. Witnessing this transformation is truly enchanting. I am honored to have recently become an ambassador for NiSi filters, further embracing the artistry that filters can bring to the world of photography.
Editing is an important aspect of photography. The way I edit a photo depends on the specific image and the mood I want to create. I always aim to capture the best possible image straight from the camera, so my edits are usually minimal. My goal is to add a touch of drama and impact to the photo while still keeping it dreamy and inviting. Rather than manipulating or inventing elements, I prefer to work with the existing light in the scene and enhance its natural beauty.
Here are the steps I typically follow in my editing process:
1) Make targeted adjustments using range masks and luminosity curves for specific areas like the sky and shadow regions.
2) Apply dodge and burn techniques to create directional emphasis and guide the viewer’s eye.
3) Apply mild color toning to enhance the overall mood.
4) Utilize the Orten effect by bringing the image into Luminar for additional enhancements.
As I approach my 50th birthday, I feel a strong desire to make the most of the next decade and make up for lost time. I have ambitious plans to travel extensively, immerse myself in different cultures, and expand my portfolio. The idea of potentially living in Kyrgyzstan holds great excitement for me, as I feel a deep connection with its landscape.
Looking ahead, I aim to integrate my commercial and landscape work more closely. I will actively seek out opportunities that involve travel photography and filmmaking. Additionally, I have plans to conduct landscape workshops in Ireland, Scotland, and potentially other locations as well.
Despite being a bit shy, I recognize the importance of putting myself out there more. It is necessary to showcase the personality behind my brand and step out of my comfort zone to become more visible. In today’s social media-driven landscape, this tip holds great value.
1) Be true to yourself
In the era of social media, it’s easy to compare yourself to others and feel pressured. Focus on doing photography for yourself, not for the sake of likes or algorithms. Enjoy your craft and shoot in a way that brings you fulfillment.
2) Embrace travel
Experiencing different cultures has brought tremendous personal growth for me. I consciously decided to travel more, seeking workshops and trips to new places where I could meet like-minded individuals. These experiences have taken me to amazing locations like Senja, Iceland, and upcoming adventures to the Dolomites and the Faroe Islands. My dream culture shock trip awaits in Mongolia.
3) Connect with others
Make photography a social endeavor. Share your love for landscapes with friends and fellow photographers. It adds an element of fun, keeps you motivated, and provides opportunities to challenge one another.
4) Learn to say no
It may sound amusing, but it took me a decade to realize the importance of saying no in commercial photography. Stand firm in your photography style and selectively choose projects that align with your vision. Building a portfolio that truly reflects you as a photographer is crucial. Focus on including work that you can be genuinely proud of.
By embracing these lessons, you can enhance your photography journey and find greater fulfillment in your craft.
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