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My name is Maxim, an amateur photographer based in Russia. My wanderlust started a long time ago, about 18 years back in time (2003). When I was 13 years old, by coincidence, my family and I moved to Chukotka. Chukotka belongs to the regions of the far north and is one of the coldest and least populated regions of Russia. In the east, there is a sea border with the United States.
At the time of the move, I was still in school and was not very keen on photography, which of course I regret now because after all, Chukotka is absolutely exotic. However, moving to this land gave rise to a whole chain of events, thanks to which I developed a passion for travel. At school, my English teacher, Natalya, organized small group trips (up to 12 people) abroad. The purpose of such trips was an in-depth study of the English language, as well as knowledge of the culture and customs of another country. So in 2004 my first trip to England took place. The first couple of days I didn’t feel at ease: a foreign country, and surrounded by strangers that spoke a language that is not my native. But then I got used to it, and on the next two trips (Canada in 2005, Scotland in 2006) I felt much more comfortable.
At that time I had a small digital camera and I took pictures indiscriminately – I photographed almost everything. All modes were automatic, I just pointed at the object and pressed the button. This continued until I entered the university in Moscow and saw a friend’s SLR camera. He lent it to me to take some shots and noticed that this was already a different level. The camera literally swallowed me and I wanted to understand it, to understand photography in its completeness. The intricacies of settings, photography genres, the interplay of light, etc.
I independently studied articles, watched videos on the Internet, experimented with the settings… For a while I was in search of myself, in search of a genre. At first I shot the streets of my hometown. Then I had a chance to shoot some sports events (drifting competitions), but I quickly got bored of it, and decided to move on. Then once, on social networks, I came across the photographs of a professional landscape photographer – Daniil Korzhonov (@danielkordan). In his work, he shows the majestic beauty of nature. In addition, he writes articles about his favorite creative techniques, his travel photography experience, and his approach. I also draw inspiration from The Essentials in the History of Photography by Ian Hayden Smith.
My professional activity is connected to banking and for me photography is a hobby, but that doesn’t impede me in focussing on my photography goals too. I want to study portraiture and astrophotography – I dream of photographing the starry sky. And of discovering much more of Russia. Russia is one of the least photographed countries. The territory is very large, with many unique and hard-to-reach locations. But because of its colossal scale, I haven’t been able to explore all its corners yet.
Within the region around my house, I managed to visit and photograph places such as: Stone Town, Usvinskie Pillars (Devil’s Finger), Mount Memorial (Kolchimsky) Stone, Kungur Ice Cave, etc. And this is just a small part of the attractions that I visited within the area nearby. In order to see all the beauty of nature, it is not necessary to go abroad to well-known places, it is enough to go 100-200 km from home – and this is all one region!
In addition to the locations of the Perm Territory, I managed to contemplate the sights of the Crimean Peninsula (Ak-Kaya and Ai-Petri mountains, Cape Fiolent, Koyashskoye Lake), and the Krasnodar Territory (Krasnaya Polyana in Sochi, Yew-boxwood grove). I also have photographs from Moscow and St. Petersburg – featuring more street photography, geometry, minimalism.
I blog on Instagram and in my works I try to show my vision of nature, its scale and grandeur. Whenever I go out into nature and immerse myself in it, I feel free. We read stories with great envy and look at photographs from the USA, Iceland, Switzerland or Norway, but we do not appreciate what is in Russia.
To obtain shots from different places, I plan all my visits to locations in advance: from the road to the destination, to the settings of the camera and the subject of shooting. To what extent it has to do with luck I don’t know, but almost all of these trips are going according to plan.
Visiting abandoned ships and buildings are part of the trips I plan. These long-forgotten objects are a reminder for us that nothing in our world lasts forever: ships once plowed rivers and seas, and now they are waiting in the wings at the docks. Buildings were once a place where people lived, worked, and rested, and now they are invaded by the force of nature, not caring whether there is a man on earth or not.
In one of my photographs – the peak of the Black Pyramid, I compare the scale of one person in relation to objects on Earth. This is a rather philosophical question: on the one hand, a person is a grain of sand in this world. Regardless of what problems you face in everyday life, finding yourself in the wild you understand how small and insignificant they are. Vast forests, unconquered peaks, raging seas and sultry deserts. It is here that it becomes clear where real power and strength is concentrated.
The anthropogenic factor is becoming the leading one, and without taking it into account, it is impossible to understand and assess what else will happen to our common home. The level of human impact on the environment is also determined by how the changed nature affects the further development of our society.
It seems very interesting to think that if some world cataclysm happened, the reminders of our civilization would quickly disappear. For example, the pyramid of Cheops would have remained standing for many thousands of years, all because historically, people built structures for centuries to leave the memory of their ancestors. Thanks to the preserved Egyptian hieroglyphs, for example, we can learn a lot about people who lived millennia ago. And nowadays, more and more information about our life is stored on electronic media.
I am not sure if online media, as the modern type of evidence of life, lives as long as physical structures. Whether it is more or less accessible to the eye of world citizens, more or less likely to be encountered and contemplated. But with my photography, I hope to create this evidence of life, of the contemporary natural world, as a memory of future ancestors.
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