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Photography is my latest passion and has influenced my life since a few years now. In fact, it has been around longer than any other hobby I’ve had before. I am from an area in Germany called the Ore Mountains, a range that spans 160 kilometers along the German-Czech border. The mountains themselves lie at the southern part of Saxony, and offer some of the most interesting landscapes in Germany. However, I rarely shoot in my home area. This is because I think that travel and photography are a match made in heaven. Travel shouldn’t be simply described as a mere physical-displacement or something that could be solely defined as tourism.
I’m not making a living thanks to photography, but I must admit that I got pretty serious about it after all. My main focus is landscapes because I love the slow-paced relationship with both nature and natural light. I’ve become increasingly convinced about one simple aspect: Our planet is filled with incredible beauty, and photography enables humanity to see it. I clearly remember when I got totally caught by photography: It was the moment photography enabled me to see reality in a way that was absolutely impossible for my eyes and brain to process.
Each has a specific color, each has its own meaning, and I can recall everything that I felt before and after pressing the shutter button. Everything slows down, and while breathing in the air and absorbing all the light and beauty in front of my eyes, I feel the splendor of the Earth entering my mind. The human species is naturally drawn to exploring, like a primal instinct, therefore landscape photography feels somewhat comfortable and even logic to me. Nature isn’t simply waiting for people to be captured on their cameras. On the contrary, the great challenge of a landscape photographer is to condense the world into a captivating visual fragment. Nature opposes any means of control. And that includes arranging elements in order to transform nature into the beautiful composition that’s in our mind.
One of my favourite images is called “Weaving Landscape”. It represents all that I love about photography. It has been taken on the Isle of Harris, Scotland. This small, remote island forms part of the Outer Hebrides – an area of outstanding natural beauty and history. The ever- changing landscape leaves you speechless as soon as you immerse yourself. Mountains, beaches, moorland, cliffs and the endless ocean; all these subjects provide wonderful photographic opportunities.
We are surrounded by natural chaos in this setting, but we can record it. And that is the true power of photography. We can record everything in ways that are simply impossible for our eyes. If I was asked to pick one single theme from nature, seascapes would be it. The massive force of the sea striking into the shore makes you feel like a mere grain of dust. The aspect that moves me most about shooting seascapes is that I can’t predict what will happen in the end. It is heartening how I can be in control of everything, but the actual photograph. I can be certain of where the light will be coming from, I can frame my scene meticulously, but I can’t control how the waves will swirl and crash in front of my camera.
When taking this image, I stood in the ocean in some heavy wind, my camera on my robust tripod attempting to catch the waves as they hit the shore. To witness these moments, to be lost in nature, to follow the movement of light, to literally feel your image, this is what landscape photography is all about according to me. The moment when you and the landscape merge together, photography becomes an art. Photography thought me not only to see, but also to breathe, feel, smell and hear differently. Nature itself became a complete aesthetic experience for me thanks to being able to record life in the format of an image.
Also, I believe that one of the critical aspects of landscape photography is to capture the essence or soul of a particular place. And this is always an emphasis of personal vision. This image exhibits what I witnessed at that particular moment in time. It is my interpretation of the landscape, my manifestation of the subjective construction of reality. Above all, it is meaningful to me not only because it reveals the spirit of place, but also my place within that place.
But, in the end, nature is the author of these photographs. And a photographer is the agent who has the power to capture these situations. In the second he portrays the light, the moment is already gone. The mechanism and indeed art of photography aims to interrupt the constant progress of change that is life in order to create long-lasting memories. It always involves subjective judgement about the situation at hand. The most poetic thing about this experience is that even when surrounded by other photographers, no landscape will look equal, we all end up having a unique piece of art in our hands. And this is something worth sharing. Life is a collection of moments.
However, landscape photography is way more than recording the world in such a beautiful and artistic way that triggers aesthetic experiences in the viewing audiences. Which is by itself a huge goal to be honest. Landscapes reach somewhere more profound; they end up building a relationship with the photographer. And that is nothing but the best humbling experience I can recommend to anyone. Photography is limited and can’t express all the wonders and sensations of exploring nature; but it is a great way of showing others our world and why it matters to keep it safe from our own behavior.
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