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I come from the East of France, living just a few steps from the Vosges, within a region bordering Germany (Black Forest) and Switzerland. I cannot describe it better than that it’s an amazingly rich area for nature lovers. Besides longer travels, I tend to favor short getaways and weekends in the countryside, in search of the great outdoors. Going out for just one day allows me to break the daily routine, recharge my batteries and come back with a feeling as if I were on holidays.
Already really young I went hiking with my grandparents, who took me regularly to the Vosges and the ruins of different castles. As a teenager/adolescent I spent my summers as an animator in the Alps, where hiking was obviously on the program. Yet, I had other hobbies and passions too and as time passed by I finished my studies and started working in a city, leaving the frequent outdoor adventures a little aside. After almost 10 years of city life the desire for open spaces and nature came back, stronger than ever. In one, two or maybe four hours away, a diversity of wonderful landscapes could be found, so why didn’t I visit them?
This passion naturally combined with another old friend, photography, where I started quite young as well. First with disposable cameras of which the majority of the developed shots weren’t usable, and later with mobile phones. The quality was definitely limited but the result can be surprising. After all, it’s not the gear that makes a good photographer, right?! So it was only recently that I began investing in a real camera and other gear. I shot mainly macro plants and insects and more urban photos (botanical gardens and street art), and then moved to landscape too. Combining these two passions means that I now orient my hikes more towards a place offering an interesting point of view, a summit, a lake, ridges, etc. and it also makes me more observant during my walks to look for small details that sometimes seem insignificant to the naked eye: a ray of sunshine, mist, a reflection…
In the beginning I was taking the pictures for myself, after which I started to share them to let others discover a place or just to share natural beauty. I got lots of feedback from people in my region who had gotten the urge and motivation to go outside to discover what was beyond their urban periphery and to explore when they saw my pictures. I find it rather rewarding, you feel like you are nature’s community manager. But it also presents some risks these days, too much enthusiasm for fragile places would be dangerous for the ecosystem and the environment.
Although I already loved hiking and adventure, photography made me go out in bad weather and put in that extra effort I wouldn’t have put otherwise to get to hard to reach locations. I take more pleasure in photographing a place where I had to make a physical effort to access it and where only people who provide the same will have the chance to see it as well. Editing the photos and sharing them afterward helps relive the moment and make that sense of escape last longer.
Nowadays I mainly shoot landscapes, but I still practice close-ups and macro shots to bring out details that you can’t see with the naked eye at first glance. Recently I have also started to capture animals, starting with the ones that are not too shy, but it still seems like a challenge. It is a matter of a second if you get the shot or not, because you can’t predict the movements of the animal at all. It’s also very exciting; for a moment it’s only the animal and you, you stop breathing, hear your heart beating, you have to focus on the photo but also on the animal while you don’t want to disturb or frighten it, and then sometimes your eyes meet the eyes of the animal – that’s just magical.
Over the past few years photography has really taken on a bigger place in my life, I don’t think there is a single day that I don’t practice it, whether it’s photographing, post-processing or sharing content. Sometimes I find myself thinking of a photo I could’ve taken on a day when I didn’t have my camera with me, and come back a few days later so I can take it. I work in an office job where creativity doesn’t really have a place, and I feel more and more the need to express it alongside. I never liked routine and photography allows you to constantly learn and test new things. No two photos will ever be the same even if they are from the same place.
What I also find powerful in photography is that as much as we want to transmit an atmosphere or an emotion, everyone is free to see in the photo whatever they want to see, feel however the photo makes them feel and to interpret it in their way. My photos appear poetic for some and deep for others. Some may be touched, others may be indifferent. I recently lost a loved one, and my latest sets often show a beam of light.
What we understand, whether it are words or visuals, depends on thoughts, unconscious assumptions, and emotions we have. It is all relative and subjective – any photo, and word, any poem is placed in one’s personal context. An artist can create anything with a specific meaning, and how another understands the art can be completely different. That is why, if you really want to get to know the artist, or just someone, it’s much more interesting to ask “What do you understand when looking at this/hearing this?” That’s where a meaningful conversation can start.
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Originally from Ottawa, Canada, Chris first honed his craft as a concert photographer in Toronto before his love for travel led him to explore over 30 countries. Now based in Miami, he focuses on capturing the essence of places through intentional composition, immersive color, and a deep connection to his surroundings, creating images that transport viewers into the moment.
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